Monday, October 18, 2010

10/17 - Gigi

Oh the fickle finger of fame...

Where bloggers were once extolling the virtues of the Vivian Girls, Dum Dum Girls, and Best Coast for bringing back a distinct Brill Building, 60s girl group sound filled with happy harmonies and sweeping reverb, they are now pooh-poohing the derivative nature of the bands' follow ups and followers. So, which is it? You, bloggers who keep telling me how Weezer's new (and still terrible horrible trite) output is the best thing since Pinkerton (an album all of you loathed at the time of release). You bloggers who did backflips over the stripped down Goffin-King-like redux of 2008. Do you now hate what you used to love? Love what you used to hate? You're so confusing! Up is down, down is up...

Ah fuck it. I'm not afraid to say that I still like the stuff. As far as I'm concerned, if the world of indie music were to pattern itself eternally on a history coming out of girl groups, 60s soul and R&B, and California Sunshine Psych music, and learn to do it really WELL, I'd be just as happy as any kid who accidentally found mom's stash of GHB.

But, alas, this isn't a rant, this is a celebration. This is a celebration of me catching the fever on a rainy Sunday in Amoeba Records and spending more money than I should have, on more music than I should have gotten for that price. Yeah, so the double vinyl copy of Portishead's third album that I got had one pretty good scratch on one song. But, still, it cost $1.99, so who am I turn that kind of deal down? REO Speedwagon for a buck? Yeah, sure. There'll be a time in my living room when I'm drunk and there are people over that "Keep on Loving You" will sound like a hail of sonic gold. But, better still, I found an advance CD copy of Gigi's first and only album "Maintentant" for less than $5.

I sought it out, because my girlfriend who normally refuses to sing out loud in front of me, belted out their song "Alone at the Pier" and deemed it to be one of her favorite sing-alongs on the collection of mix CDs I've foisted upon her. Well, since we were jumping up and down on the bed in our room at the Maritime Hotel in Chelsea at the time, beery and bleary after a seemingly endless wait for a room after a punishing red-eye - her inhibitions may have been shot. But she sang for me, and I wanted more.

As for the actual album, "Maintentant" is filled with sparkling gems and a rotating cast of Canadian talent that you've probably never heard of, but might hope to hear again. 15 songs of alternating girl and boy singers guarantee you'll get your money's worth. I could pick out at least 8 of them that I love, and each makes that maligned 60s throwback sound fresh and vital as though the decade was only just taking its first breath.

Here's the one that makes my lady sing along:

Monday, October 11, 2010

10/11/10 - The Love Language

It's been a long and busy absence from posting here on The Daily Bomb, making the blog title look like blatant false advertising to say the least. Writing, editing, photo acquisition, and promotion of a book I just wrote, made me want to punch the written word right in the gerunds. Were it possible, I would have only communicated via sign language for months to give myself a rest.

But, I just couldn't stay away forever. The persistence of The Love Language's song "Heart to Tell" made me return. I don't even remember where I first heard this song. It was just one of those things that kind of reached up behind me and put the chloroform over my mouth and said, "You will submit to my lilting beat...shhh...think about Summertime and dancing like a marionette in your living room..." And I was out like a sack of sweet potatoes.

Months later, this song has infiltrated my afternoons like you wouldn't believe. I suddenly realize that I've been singing it in my head for hours, and whenever it comes into rotation on a mix, I react like I've just snorted a line of Fun Dip. I love it like I love cotton candy at a baseball game. Like I love sneaking booze into a matinee. Like I love a brand new pair of socks.

Yes, it's THAT good. And you're welcome.